Thursday, October 22, 2009

The Magic of Mono

Photographic Location

You'd be forgiven if you thought I was going to discuss the benefits of black & white photography or something to that effect. I'm referring of course, to Mono lake in California, one of the oldest lakes in North America. Mono Lake is located in the Mono basin, flanked to the north by the Bodie Hills, to the west by Sierra Nevada Mountain range, and to the east by Crowtack Mountain of Nevada, and adjacent to the town of Lee Vining almost 6,800 ft above sea level. The scenery is a stark contrast from the pine forests and alpine meadows of nearby Yosemite Valley 75 miles over the Tioga mountain pass, comprising a semi-arid, desert-like landscape, dominated by distinctive igneous geology with many volcanic craters.

It is a lake that is not without controversy either. Back in 1941 the Los Angeles Department of Water and Power began water extraction which was to eventually exceeded inflow and as a result the lake level began to drop. By 1982 the lake surface area had been reduced by over 30 percent. This also began to expose submerged tufa towers; large limestone spires formed by calcium waters transported to lake bed by geothermal springs, reacting with the salt-rich lake waters and depositing layer-upon-layer of calcium carbonate over time. It also drastically effected the salinity of the lake, exposing salt rich deposits to erosion and now the lake is 2½ times more salty than the ocean. Not much can survive in that, and not much does (there are no fish), however the lake is home to Artemia monica, a tiny species of brine shrimp, no bigger than a thumbnail, that are entirely unique to Mono Lake.
 Local inhabitants formed the Mono Lake Committee in 1978 and many years of legal proceedings and representations followed which have eventually resulted in a directive to reduce water extraction and (hopefully) eventually return the lake to it's former levels. However the battle still continues on.

Mono Lake and the surrounding area provide a truly unique and interesting landscape but it is the tufa towers that provide great interest to photographers. I'd past through Lee Vining briefly back in 1984, but never visited the tufa areas, now designated as a California State Reserve Park. The Mono Basin Scenic Area Visitor Centre, just off Highway 395 to the north of Lee Vining, includes a variety of exhibits about the natural and human history of the Mono Basin and is a good place to research your photographic location if you have time beforehand. The best area for photographers is South Tufa, on the southern shoreline, where are tufa spires up to 30-ft high and ranging in age from 200-700 years old are exposed, providing a surreal landscape. I didn't have the luxury of a reconnaissance trip before my dawn shoot, so it was up at 4:30 am and a drive out in the dark for me during my summer 2009 visit.

As I drove out from Lee Vining and turned onto highway-120, there was a beautiful pre-dawn red glow reflected in the lake that made it seem like it was on fire and I began to wonder if my 4:30am alarm call had been early enough. There were other cars in the car park too, so I set off briskly down the wooded walkway in the dim, pre-dawn light with my head torch lighting the way. It's quite strange visiting a location for the first time in the dark (not the best thing to do), but I didn't have the opportunity to explore the day before and I could just about make out the shadows of the eerie tufa spires all around. I found three other photographers with tripods already set-up at the beach at the end of the boardwalk, so I set up beside them and began to chat. Luckily for me one turned out to be Ralph Nortstom, a delightful chap, and professional photographer conducting a small workshop. Ralph was kind enough to give me some pointers and shortly I was snapping away with the rest of them. You can smell the salt at Mono lake and as it got lighter I became aware of the millions of lake flies floating on the water and along the shore line which ripple away in vast waves as you walk towards them. Thankfully they don't bother or bite. As the light gradually increased I became aware of many other photographers arriving and others scattered amongst the tufas. I must have counted over 30, so this is definitely a very popular spot. I went for a walk eastwards through the large shore bound accumulation of tufas and tried several other spots, but soon the good light had gone, but I found exactly the right location for my shot for the following day.

The next morning I was first to arrive, but the pre-dawn glow didn't seem anywhere near as intense as the day before. The sky was cloudless again too. It was so much easier to find my location this time; it certainly pays to investigate your location beforehand if you can. I had envisaged catching silhouettes and shadowy reflections of a tufa island just offshore looking eastward into a red dawn glow. Despite the lack of brilliance, stopping down increases the saturation and as the light increased I used graduated ND filters to hold back the sky and balance it with the reflections within the lake. I also tried additional ND filters to lengthen my exposure time to smooth out the surface of the lake, an effect I quite like. Soon the golden light had faded and I tried other shots. There are so many unusual shapes within the tufa you can spend ages here. It's a wonderful spot and I was really pleased with my shot. I hope you agree.

How to Get There

Head south from Lee Vining on US-395 for approximately 5½ miles. Get into the left hand lane and take a sharp left onto Hwy-120, which is signposted Benton 46 and Mono Lake South Tufa 5 miles. After a further 4.7 miles you'll see a sign to Mono Lake South Tufa. Make a left onto Test Station Road, just where Hwy-120 turns begins to turn sharply to the right. The road is paved but not for long. Take the left hand road where the road forks; the right goes to Navy Beach. This is the end of the paved section but the gravel track down to the car park is fine for most vehicles. From the car park it's a 5 minute walk down a boardwalk to the beach. The end of this path is a good location, but better locations can be had by heading off to the right (eastwards) and following one of the several paths through the large tufas to the beach beyond where your will be able to photographs tufas offshore silhouetted into the dawn or rising sun.

Recommended Links

Mono Lake Tufa State Nation Reserve
Mono Lake Committee
Ralph Nordstrom Photography

Photographic Locations nearby

Bodie State Park - quite probably the best ghost town of all.
Sand Tufas near Navy Beach

Tuesday, October 13, 2009

Where the #%*! are my Pictures?

Video Review: Guide to Assett Management - Where the #%*! are my Pictures?
By Michael Reichmann & Seth Resnick

If you are into photography and have never visited the Luminous Landscape web site then shame on you. Do so immediately; it's just about THE best resource for almost anything photographic and there will be something of interest to just about every photographer no matter what format you use. It's run by the Toronto based photographer and photo journalist Michael Reichmann, a veteran of over 40 years within the industry. However, he is not the sole contributor, far from it in fact, and you will find articles from many other well know photographers and industry related personnel too. It's not just the equipment reviews, tutorials and photographic tips that make this site rather good, but rather uniquely, it also provides downloadable video journals and tutorials, and it's one of the latter that I want to talk about today. Ah! I here you mutter, other sites have downloadable video tutorials too...not like this they don't!

Michael is one of those photographers who is 'in the know', an A-lister if you like, and a member of that fraternity of photographers that has access to not only to the boys at Adobe, but is well enough respected by the industry to get to do hands on reviews of the latest equipment releases typically long before it's let loose on the general public. His tutorials are not some 3-5 minute clips either, but generally comprise a whole DVD's worth, set out in several chapters. The videos are hi-res downloads (1080 x 720) and are typically co-hosted, in many cases with Jeff Schewe, but in this particular tutorial Michael teams up with fellow photographer and DAM guru, Seth Resnick a Florida based photographer.
So what is Where the #%*! are my Pictures?, and why should it be of any importance to you? Well it's a tutorial of Digital Asset Management (DAM) and if you shoot digital and have amassed great quantities of digital images that now litter your hard drive (or hard drives!), then this should be of interest to you. I consider myself to be pretty well tuned up to DAM. I've researched it on the net, read books on it (The DAM Book by Peter Krogh is a fine example) and have used Adobe Lightroom since it's inception to manage and keyword my image library, which includes not only digital images, but slide, negative and photo scans. So would I learn any thing new?

First of all, like most of the videos on the Luminous Lightroom, this is a large download, consisting of 2.9 GB in 9 files, comprising 11 video sections, each in 1080 x 720 resolution. The program starts with an introduction to the concept of Digital Asset Management and stating why you may need this even if you think you don't. The format takes the form of a general but light hearted discussion between Michael Reichmann and Seth Resnick, with Seth presenting his strategies and Michael asking the questions a typical user would ask, and prompting for clarification where he thinks necessary. The whole program is focused on Digital Asset Management within Adobe Lightroom, but don't let this put you off even if that is not your preferred choice software, as many, if not most of the methodology is applicable in many other scenarios. The tutorials are well presented and even entertaining, and Seth comes across as been quite obsessive (he uses another word) particularly about his key wording and back-up regimes. There are sequences on file organisation, importing and naming conventions, editing selection and ranking, captions, key-wording, and filtering with metadata. He then goes on to explain how to take a remote catalog on the road and yet still be able to work with all of your files, and then covers XMP sidecar files and the DNG option, before finishing up with archiving and backup. There is a lot of stuff covered here and while you may not particularly agree with, like or even need all of the detail and degree into which Seth goes for your own particular photo library, there is some here for everyone and I can almost guarantee it will change the way you manage your photographs.
I was quite surprised by this video. I didn't buy this for quite some while after it was available, as I thought I had DAM pretty much sown up and that I didn't need this. I was wrong. I got much more out of this that I thought possible. If you're a Lightroom user then this will be of particular appeal. It is informative, entertaining and enjoyable. Guide to Asset Management - Where the #%*! are my Pictures? is available as a $29.95 download from the Luminous Landscape website store.

Now if any tutorials turn up with Michael, Seth and Jeff Schewe all together, I'd buy it no matter what, just for the entertainment value, now that would be a prospect!

By the way, I've acquired all Michael's video journals. If a number of you are interested in a particular journal, send me a request and I'll consider a review.
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